Interview with Volker Koepp about his filmmaking practice conducted and directed by Christoph Hübner

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On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. "It's a film about two extraordinary men; it's about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.

From the bottom of the Baie aux Feuilles, itself in the hollow of Ungava bay, at the summer solstice, a filmmaker is on the lookout. His camera scans the tundra, looking for a herd of muskox stubbornly refusing to be targeted - even by a documentary. A film which illustrates the thoughts of a humanist who is insatiably curious.

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.

A 1978 filmed conversation between Orson Welles and his lifelong mentor Roger “Skipper” Hill, shot at Welles’s home in Sedona by Gary Graver. Edited from six hours of footage into a 62-minute documentary, the film captures their reflections on friendship, education, memory, and Welles’s formative years at the Todd School.

Based on his book "Action Filmmaking" Nathyn Masters teaches up and coming indie filmmakers how to make movies on a low or no budget via the Internet.

In a bustling supermarket, Bahman, a societal misfit, is silently ensnared by the surrounding aisles. As he navigates this microcosm, subtle hints of a dual identity emerge, echoing the broader challenges of fitting into a world that often alienates him.

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Vivian Bernaise is the star of the Hamburg drag scene. After a glamorous performance in the Hamburg drag club "Die Donauwelle", she witnesses a mafia attack and has to flee. Vivian becomes Volker – and disguised as a straight man, she hides with the family of the elementary school teacher Katja in the rural areas of Schleswig-Holstein.